Welcome to the Club
Ongaku Magazine is a teen-run music magazine, an independent collective of writers, critics, musicians, and producers under twenty. Explore below to find our original teen-written content, curated-playlists, charts, resonate with various topics surrounding the music industry.
JUMP TO…
Our Sections
See the Ongaku Charts
Ongaku Magazine publishes two curated ranking charts: a Top 25 Songs chart and a Top 20 Artists chart. Unlike sales-driven lists, our charts prioritize artistry — the compositional craft, emotional depth, innovation, and lasting resonance of a track or artist — over immediate commercial performance. We hold that true artistry shouldn’t be reduced to first-week streaming numbers or chart-topping ad buys; the most meaningful music often proves its value over time.
Discover the latest additions to our collection—handpicked pieces that bring new energy to your space.
The Ongaku 50
Stay Up To Date Via Instagram
kokoro ni ongaku.
A Review of the Timeless Goth Rock Album “October rust”
Most songs explore romance, but Type O Negative does not merely explore it, it wallows in it. The four-member band that started in 1989 has a plethora of songs within their discography that explores this phenomenon. The clearest example is “October Rust” (1996): an album both provocative and poetic, horny and sincere, and most importantly, an album built on contradictions.
The Return of Indie Sleaze and the Power of Nostalgia
Indie sleaze is back, and this time, people actually know what to call it. What used to just feel like a messy overlap of music, nightlife, and internet culture is now being recognized as something worth revisiting.


When we think of Western pop and rock music, the first things that come to mind are catchy riffs and melodies, references to having a good time, and whatnot, but hidden within the discographies of a surprising number of Western artists, are songs sampling Sanskrit verses composed thousands of years ago as part of an oral tradition to preserve and pass down sacred knowledge across generations. Quite the tonal whiplash if you’d ask me.