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Ongaku Magazine is a teen-run music magazine, an independent collective of writers, critics, musicians, and producers under twenty. Explore below to find our original teen-written content, curated-playlists, charts, resonate with various topics surrounding the music industry.

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Ongaku Magazine publishes two curated ranking charts: a Top 25 Songs chart and a Top 20 Artists chart. Unlike sales-driven lists, our charts prioritize artistry — the compositional craft, emotional depth, innovation, and lasting resonance of a track or artist — over immediate commercial performance. We hold that true artistry shouldn’t be reduced to first-week streaming numbers or chart-topping ad buys; the most meaningful music often proves its value over time.

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kokoro ni ongaku.

Albums Aryan Bhaskar Albums Aryan Bhaskar

A Review of the Timeless Goth Rock Album “October rust”

Most songs explore romance, but Type O Negative does not merely explore it, it wallows in it. The four-member band that started in 1989 has a plethora of songs within their discography that explores this phenomenon. The clearest example is “October Rust” (1996): an album both provocative and poetic, horny and sincere, and most importantly, an album built on contradictions.

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Albums, News Kseniia Vedeneeva Albums, News Kseniia Vedeneeva

Drake makes history with a new trilogy album release

On May 15, 2026, Drake changed the traditional album release way completely, dropping a massive three-part project: Iceman, Habibti, and Maid of Honour all in one night. Since Drake’s heavy fallout in 2024 after his Kendrick Lamar feud, the 43-song release represents an artistic reconstruction rather than a standard comeback focused on commerciality. 

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Albums, News Kseniia Vedeneeva Albums, News Kseniia Vedeneeva

Breaking Down The Melanie Martinez “HADES” Era

During her “CRYBABY” era, Melanie Martinez became extremely popular with her “childish” aesthetics. By the time she moved on to her preceding era, “Portals”, her huge style change in 2023 shocked the world. Today, both of them are in the past. On March 27th, 2026, Singer Melanie Martinez showed us her brand-new personality for her album rollout "HADES."

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Cultural Commentary Brendan Gieseke Cultural Commentary Brendan Gieseke

Analyzing City Pop in Japan, and How It's Been Glamorized in Today's Social Media

The most prevalent songs within the City Pop discography all contemplate the feelings of transition between past and present and express the imagery of fleeting time in a very specific way. “Remember Summer Days”, for example, says this very literally: “Remember Summer Days | 夏が消えていくわ (The summer is starting to fade).”

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News, Music Business Mallory Kestner News, Music Business Mallory Kestner

The Fan-to-Industry Professional Pipeline 

Did you know that many musicians and industry professionals are affiliated with fan accounts? Whether they take a role as the social media manager who posts constant updates or the designer who makes fan posters and art, a recurring part of the music industry are fandoms. Today, musicians don’t just create audiences: they also create workers, and often they are the most passionate fans you'd ever meet.   

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Cultural Commentary, News, Opinion Brendan Gieseke Cultural Commentary, News, Opinion Brendan Gieseke

The Revival of Cigarettes in Gen-Z Music Brands

From selfies on Dua Lipa’s Instagram, to being the main attraction in Charli xcx’s visual brand, having features on Malcolm Todd’s bedside, a grand contributor to Lana Del Rey’s “cool girl” aesthetic, cigarettes have been making a comeback in the pop culture scene and it’s raising some eyebrows. Why is it resurfacing now? How did it come about? 

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Cultural Commentary Emilia Scannell-Siga Cultural Commentary Emilia Scannell-Siga

Joni Mitchell, Phoebe Bridgers, and the evolution of the confessional songwriter

The idea of the singer-songwriter as we know it today–someone who writes, performs, and produces profoundly personal music–didn’t always exist in its current form. For much of popular music history, songwriting and performance were separate jobs. Songs were written to be performed by others, and the commercial identity of the writer wasn’t essential to how the music was received. 

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