Today, with over 51% of Americans finding the Dream economically unachievable, Lana Del Rey uses her 2019 album Norman F***ing Rockwell! to navigate the sorrowful loss of the American Dream.

On August 29, Olivia Rodrigo brought together 45,000 people in Irvine, California, for the first ever Daisy Chain Fields. The one-day festival featured an entirely women-led lineup, ranging from rising acts like Doechii and Chappell Roan to established artists like Garbage, Bikini Kill, and the Breeders.

When Charli xcx shared on the Nicky at Night podcast that she was apathetic about whether or not her new album “Music, Fashion, Film” would flop, most business-oriented music listeners, executives, and labels would raise an eyebrow.

The cycle for the 2025-2026 music is about to close in August with nominations being officially released in November 2026. I’ve selected each of my nomination predictions based on each song and artist’s likability within the industry, progression and narrative as an artist, the exploration of their songs, and cultural relevance. Please enjoy!

When we think of Western pop and rock music, the first things that come to mind are catchy riffs and melodies, references to having a good time, and whatnot, but hidden within the discographies of a surprising number of Western artists, are songs sampling Sanskrit verses composed thousands of years ago as part of an oral tradition to preserve and pass down sacred knowledge across generations. Quite the tonal whiplash if you’d ask me.