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Ongaku Magazine is a teen-run music magazine, an independent collective of writers, critics, musicians, and producers under twenty. Explore below to find our original teen-written content, curated-playlists, charts, resonate with various topics surrounding the music industry.
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Ongaku Magazine publishes two curated ranking charts: a Top 25 Songs chart and a Top 20 Artists chart. Unlike sales-driven lists, our charts prioritize artistry — the compositional craft, emotional depth, innovation, and lasting resonance of a track or artist — over immediate commercial performance. We hold that true artistry shouldn’t be reduced to first-week streaming numbers or chart-topping ad buys; the most meaningful music often proves its value over time.
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kokoro ni ongaku.
Joni Mitchell, Phoebe Bridgers, and the evolution of the confessional songwriter
The idea of the singer-songwriter as we know it today–someone who writes, performs, and produces profoundly personal music–didn’t always exist in its current form. For much of popular music history, songwriting and performance were separate jobs. Songs were written to be performed by others, and the commercial identity of the writer wasn’t essential to how the music was received.


Most songs explore romance, but Type O Negative does not merely explore it, it wallows in it. The four-member band that started in 1989 has a plethora of songs within their discography that explores this phenomenon. The clearest example is “October Rust” (1996): an album both provocative and poetic, horny and sincere, and most importantly, an album built on contradictions.